Audio Elements In Sports Broadcasts


The capital of Antioquia, Medellin, has become a city with a growth in events of up to 320 percent. Being one of the ones that grew the most in this sense in the entire American continent. This catapults it above the country’s capital, Bogotá, and the pioneer tourist destination in Colombia, Cartagena.

The consolidation and experience in recent years have allowed growth, in all respective areas, when it comes to holding an event. In the city, one of the biggest attractions for its inhabitants is soccer and sports in general. Sporting events have been, in the same way, potentiating them not only at the local level but also at the national level, allowing the hosting of international tournaments of great scrolls.

Sporting events have had the particularity, for a long time, of being seen and heard from different modalities from a broadcast.

Today, as since its inception, listening to what happens in the particular event is essential.

The retransmission of events was born with radio broadcasting itself in the early years of the 20th century. The narrative of this genre built an unbreakable fidelity in the audience despite not having an image. The audio was explored and exploited to the point of having such an impact on its receivers.

When a professional soccer game or a particular sporting event is held, on many occasions, the work involved in its execution is unknown. One of the essential characteristics for an optimal sports transmission is the audio elements and more so if it is through the radio that said transmission is made.

The city has different radio stations where sports programs are carried out with different formats that carry out and prepare live sports broadcasts for their listeners. Stations such as Miner Eastman, Rafagol and personalized programs from Kktv01 Radio and RCN Radio, have been well received in the local media for their epl중계 broadcasts from any sports venue in the city.

The essence of sports radio is to tell what’s happening to those who can’t always see it or want to have an opinion about the event they’re watching. Compared to old-fashioned broadcasts, the current ones seek to engage with the receiver and generate interest, liveliness and passion in the audience.

Audio has the ability to fulfill different functions to produce expressive elements and repercussions of sounds as a document of reality (represents truthfully without any manipulation) and expressiveness.

In the local radio field

The particular and general audio elements to have a good reception in sporting events start from having an optimal harmony of voices, a polyphony in which the voice of the announcer is constantly fed with both the voices of commentators and commercials, in this way the transmission is supported and strengthened and in this way it is possible not to make the experience monotonous for the radio listener.

The absence of image means that the listener does not have data that supports the truth of the event, which is why the narrators ‘abuse’ in order to have the listener with agitated sensations

Both for football and for different sports events, similar formats are used in order to provide a pleasant transmission that allows tuning and fidelity.